I'm going to get naked in just a minute, so you better watch out!
You can always take off the skirt and use it as a cape.
My God, my muscles! They're gone, with this soft life.
I think my days at Grey Gardens are limited.
You can always take off the skirt and use it as a cape.
This is the revolutionary costume. I never wear this in East Hampton.
I think my days at Grey Gardens are limited.
It's very difficult to keep the line between the past and the present.
This is the revolutionary costume. I never wear this in East Hampton.
Horrors! Somebody's removing the books from my room!
It's very difficult to keep the line between the past and the present.
I only cared about three things: the Catholic Church, swimming and dancing.
Horrors! Somebody's removing the books from my room!
I'm mad about animals, but raccoons and cats become a little boring.
I only cared about three things: the Catholic Church, swimming and dancing.
God, if you knew how I felt; I'm ready to kill!
I'm mad about animals, but raccoons and cats become a little boring.
My God, my muscles! They're gone, with this soft life.
God, if you knew how I felt; I'm ready to kill!
I'm going to get naked in just a minute, so you better watch out!
This pantoum consists entirely of dialogue spoken by Edith "Big Edie" Beale and Edith "Little Edie" Beale in the documentary "Grey Gardens" (1976), directed by Albert and David Maysles.
The blackbirds are primed
for departure.
It's chalk and charcoal-pencil
weather again.
Celeste gazes out the window
at the sheared lawn,
Pictures a jade lake
on a meadow's lip.
A Ming vase makes her think
of Montreal: that groan–
throated Québécois who sang of
Chinese tea and oranges.
A dirge played in bell tones
isn't a dirge.
It's a newborn's cradle song
with a crestfallen third.
Celeste's fingertips prance out
a rosy little waltz.
Sometimes fairy chimes
are the thing we need.
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