Fall 2007
This is not a love poem, though photos may prove
otherwise, not as an elm proves belligerence, but as a knot
of eels proves fear—dark bodies of water
If bodies can be mountains, then Brian is a swell without rockface,
switchbacks overgrown with clover, trailmarkers faded
to mere suggestion
Required gear: compass, cornstarch, savory victuals for bait,
for slowing the ascent, for remembering the tongue
is a strong muscle
Tape the bruised toe but no shoes
The back of his bent knees are footholds
Footholds yield to soft pressure
Not everyone can climb Brian
Little dancers who know how to fall often do
There is a center, a contempt of gravity, a plumb-line-determined
nexus of nerves that would rather float than balance
Some swear by abdominals, but the pelvis is better — light
for the hollow
Raised, it will hover and billow, shadow his back
not as a parachute shadows a fall, but as a storm
cloud shadows, distended above dark bodies of water, and arms
will forget there should be mass for the balancing
Strong muscles are good
Hands then knees then feet on shoulders
Higher than Brian is higher than a mountain, a body
All bodies are mostly water
This is the room with a view of the el, and beyond
it the river, the brightly-lit buildings of mid-town, the suspended
arcs of the Triborough Bridge
This is the view marred by the panicked flight of the shadow-sparrow,
a spasm haunting its wing
This is the chair where the faithful sit, watching the bird fly back
and forth above the alley, stranded above
the dunes the blizzard left
This is the blizzard that travels south-southwest, turning
to rain when a hunter puts down his bag of rabbits and kneels
at the edge of a lake
Winter will soon end for all of them — the faithful, the hunter,
the bird, this place
This place that winter makes
that makes the city more imagined than the hunter, that
makes the faithful mourn the bird before it ends
its flight
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